C U N T

I get it. Some of you are uncomfortable with the word “cunt.” You certainly don’t want to hear it said aloud. You don’t even want to see it written, each letter just sitting there, brazen, unashamed, like a naked body sprawled across the floor you have to step over and can’t avoid:

C U N T.

Here’s the thing: I’m not sorry. I won’t apologize for Feckless Cunt: A Feminist Anthology. Never. I will not tiptoe around your discomfort. I will not even soften it by inserting asterisks where letters belong. Although, of course, I realize that some people and publications will require asterisks, I will never use them. Words are powerful, yes. If a word makes you uncomfortable, look at it harder. Your discomfort is the point. If you’re not a member of a marginalized group that has had “cunt” used to oppress you: YOU DON’T GET A SAY. If it has been used against you, I’m sorry. And, also: I think you’re going to want to read this book. These 36 fierce contributors have the guts to confront this word, and—more importantly—the sexist culture that defined and weaponized it. These contributors take back “cunt.” They take control of the narrative of our own lives.

These 55 lean, feminist pieces (poems and very short prose) don’t back away from controversy. They run headlong toward what we’ve been told not to say, think, be. They reject the patriarchal idea that we’re forbidden to speak the words used against us. I invite you to join us.

It’s okay if you’re not ready. But do not ask me to spend time and energy explaining or excusing myself. The time for that sort of endless, unpaid, emotional labor by women is over. Read Feckless Cunt to understand why I think it is not only okay but necessary to write and say

C U N T

as many times as it takes to change the world, a little. You do not have to listen. You do not have to stay in this room where C U N T is sprawled across the floor. I just ask that you let us speak and write and confront what needs confronting. I am not afraid of words or your disapproval. I am afraid of losing my freedom of speech—an understandable fear, I think, considering how the current administration makes daily noise against the free press and dissent. Speak now or forever…better yet, listen: Feckless Cunt will be available for order in the next couple of weeks. I will let her have the final say, without asterisks or apologies.

 

 

15 Minutes for My 2 Cents

In Joshua Tree, California, we have a community lecture series called “Teddy” Talks, a take on the famous TED talks. They’re held at Beatnik Lounge, an art space and JT’s unofficial community center. This month I appeared with two other authors, Rose Baldwin and Gabriel Hart. We had a blast. The crowd was kind and interested, the conversation stimulating. My talk was titled: Rejecting the Rules and Criticism that Derail Writers. The subject is dear to me. I also discussed both my novel Not On Fire, Only Dying and my brand-new, flash fiction chapbook, Swap / Meet.

So if you have fifteen minutes for my two cents, click below.

Thanks,
Susan

Listen for what I don’t say.

Sometimes I wonder if I have the face of a woman who needs help. I am frequently offered advice. I do ask lots of questions, and I can see how that might seem, to some, like I want answers. Probably I’m just being polite. Or I’m after your stories. I want to get you talking so I can watch. I want to hear what you don’t tell me. Keep talking. I’m not listening, but I am.

Now, days before my 50th birthday, I look in the mirror and see a face with deepening lines, silver hair, and eyes that have seen love and marriages and travel and motherhood and shitty jobs and rescued animals and exhilarating art and my own writing published and grief and failure and a second, solo, cross-country move that finally convinced me I might be kind of a badass. I see the face of a woman who has a word or two of advice to GIVE, in fact.

Not that you asked. So go ahead and ignore me. Or listen for what I don’t say.

Lighten Up, Francis. Humor is a survival skill, especially in dark times like these we’ve lived since November 2016. Some of us can’t stay afloat without it. Humorlessness is tiresome. It does not prove your commitment to the resistance. In fact, since humor disarms and draws others in, it can be a useful tool. Not everything is a fight to prove your position is the correct one. Life is hard and brief, so maybe just crack a smile. It’s good for you, and the rest of us, too.

I Would Prefer Not To. It’s okay to say NO, and you don’t even have to come up with an excuse. NO to going to that thing you dread. NO to small talk with that acquaintance you don’t trust. NO to gatherings where you’re expected to play an old role. NO to staying where it’s safe but not happy. You deserve joy in every shade of the spectrum: comfort, safety, friendship, support, bonding, duty, desire, lust. And everything in between. Move towards joy, always. Move away from anything less.

It’s Going To Be A Beautiful Wall. You’re the architect of your life. Get your hands on those blueprints ASAP. Construct your present, add on, renovate, tear it down to sticks and start over. Point yourself in the direction of a future you’d like, but understand it’s like a note added to a dinner reservation: “Quiet table by the window, please.” We regret to inform you that requests are not guaranteed. However old you are, you’ve been hearing it all your life—how things should be done. What you ought to do, and in what order. How you must behave. Has it occurred to you that it might be bullshit? You have one chance to experience life. Take a big bite, a wide view. Be a good enough friend to yourself to build and fortify your boundaries. Make them beautifulopaque, if not transparent. Sturdy.

People Are Strange When You’re A Stranger. It’s not wrong just because it’s unfamiliar to you. We all have a different way of being in the world. Notice your resistance—when you feel defensive, you’re bumping up against one of those “shoulds” you were taught and maybe believed. Breathe, listen. You, too, can live any damn way you please.

Some Small Good News.

The latest issue of Cholla Needles is out, and I’m thrilled to have 3 short pieces included. Buy it here for just 5 American dollars. Cholla Needles Press started earlier this year and has published books in addition to the magazine, which is now on Issue 12, so that gives you an idea of the literary energy here in Joshua Tree, CA. They hold monthly readings on an outdoor stage behind local bookstore Space Cowboy Books, drawing together a vibrant and welcoming crowd that includes many talented local writers and others who regularly come through to visit and read.

These are my first publications since moving out here. They were all written in this ecstatic creative flurry I’ve happily and gratefully surrendered to since I finally unpacked my boxes. There is something about this place: the expanse, the silence, the glorious sunshine.

My 3 pieces are: “About a Month In The Desert,” flash CNF about my experience moving to the desert from someplace very different; “HUMAN | NATURE,” micro prose inspired by the view from the mineral-encrusted “rainbow” terraces, or cliffs, of Thermopolis, WY; and a flash piece called “1 table, 2 chairs: ugly,” part of a series I’m working on called SWAP/MEET (virtual).

There is so much good work within these pages and I am honored to have mine included. And I’m thrilled to see my name against the brilliant blue sky that is making me a writer again, at last.

orange into GRAPE and grape into ORANGE

My novel, Not On Fire, Only Dying, has been out for two years this fall. It’s increasingly rare to hear from a reader encountering it for the first time, but because I recently moved and found a vibrant and supportive literary community, I am fortunate enough to have the opportunity to put it into new hands. Last weekend, as I settled in to watch some performance art among the rocks of Joshua Tree National Park (have I mentioned how much I love this place?), a reader told me she’d noticed a tiny detail in NOFOD that no one else has, at least as far as I know. When she told me, I shrieked in surprise and delight. (Apologies, I know how sound carries in the desert.)

What she found is a tiny “Easter egg” I planted in honor of the poet Muriel Rukeyser, who I happen to be related to but would revere for her words and example regardless. As a kid, I knew of her but didn’t spend time with her, and she was gone before I could express my appreciation. I reread her poems often, taking inspiration and reassurance from her wise, bold, precise language.

I nestled a reference to her poem “Ballad of Orange and Grape” (from Breaking Open, 1973) into Chapter Nine of NOFOD. Marko, the main character, is in New York City, stalking Daniel, a man who hurt his beloved Lola and may have answers Marko intends to demand. Marko and Lola are equally reviled in their mid-Hudson Valley hometown. They both have sketchy pasts, questionable appearance, bad habits. They are barely tolerated. How we judge and label others—how we consider them “others,” in fact—are questions that developed into themes for NOFOD, and which I find addressed in Muriel’s work.

So I sent her a tiny, belated thank you, knowing it might go unnoticed. I am so grateful to the reader who noticed my tribute and I remain grateful to every reader, especially those who have mentioned something, however small, that resonated with them. That is, of course, the best moment for a writer: making that connection.

Please take a couple of minutes to hear “Ballad of Orange and Grape,” read by the poet:

Unsettle that dust.

I move in 30 days. The house I’m moving to is quite small, less than half the size of this one. So far I’ve culled mountains of STUFF: donated most, tossed some. It is glorious, that unburdening. The more STUFF you shed, the more easily you see what might be shed next, and next! Space opens up and, as you move what hasn’t moved in years, you literally shift the air. You release swirls of dust and complacency you hadn’t noticed accumulating beneath furniture, behind books, in the crevices of knick-knacks that used to mean more. Suddenly, STUFF is hindrance: literal weight on a truck you will pay for. Ask: Does it serve me? Do I love it? It seems like a lot to ask STUFF to “spark joy,” but, sure, ask that too.

In the back of one closet I found a box of books and papers, mostly research for Not On Fire, Only Dying: the Ashokan Dam, New York State sentencing laws, missing child procedures, the Romani people, psychiatric meds and diagnoses, strains of marijuana. Bus schedules. A Hudson Valley street atlas. Poems and paintings that inspired NOFOD from its beginnings. I’m getting rid of more than you might think and holding onto more than I should.

The box also held a binder of stories and miscellaneous literary efforts I’d published in online journals, printed out as if I’d worried the internet might suddenly, permanently crash (not gonna lie—sometimes I do worry about that.) I came across a tiny list I wrote for Treehouse Magazine:I hadn’t known, but I’d needed to find and re-read this. I needed to be reminded of the Susan who wrote it. I needed to remember that I’ve found inspiration after long silence before and I will again. In the midst of this move, people sometimes ask, “Are you writing?” and I want to kill them (maybe not all the way dead) because NO—of course I’m not writing. I am cleaning and sorting and packing and getting my only child off to college and changing my whole life—but no, I’m afraid I am not writing. Some writers write through everything—storms much worse—and many more panic when they can’t. For me, occasional silence is expected and necessary. I still absorb material and dialogue and formulate ideas, but for now it’s a one-way process. Maybe I’m okay with breaking rules like “WRITE EVERY DAY” because I’m finally old enough to see how many rules are bullshit.

In any case, I’ve given myself permission to fall short.

“Five Paintings” accompanied a flash piece published by Treehouse Magazine: “Just Like Lily.” I went online and re-read it. I liked it, a few years on. That’s always a relief. It was a departure of sorts—something about the tone. It was also one of my most openly feminist pieces. I think I need to write more of those.

This got me thinking about Treehouse Magazine, which I hadn’t seen anything from in a while—years, it seemed. A quick search found a recent announcement of their relaunch this October! I am thrilled. Who doesn’t love a comeback? What’s better than a return to words? I look forward to mine. And if yours are also somewhat out of reach at present, please take a look at one or all of those five paintings. Anywhere is a good place to start. The words will come when you’re ready.

Proserpine, Dante Gabriel Rossetti

 

To Be Continued.

In a couple of months I’ll move from Georgia, where I’ve lived for 11 years and never belonged, to the California desert. This isn’t my first time moving across country. It’s not even my first time moving alone to California. At 22, fresh out of college in New York, I was fucking fearless. I remember my parents expressing concern about my plan—what plan? But I felt infinitely strong. I rented a studio apartment in San Francisco for about $400/month. It was small enough that I could lie diagonally and almost touch the walls. It was on a gritty block behind the opera house, before that neighborhood was transformed, for better or worse. There was often shouting from the street. I just took it all in. Inhaled sights and sounds and smells and people and experience, like I do.

I got a job working in a group home for profoundly troubled young kids, victims of the most horrific abuse, usually at the hands of their parents. Sometimes they were violent—of course they were. I was paid $7/hour. I didn’t have a car, just a bike. I rode it everywhere, including to the grocery store. I’d load up two saddlebags, then churn the pedals up and down San Francisco’s hills, my legs draining with the effort. Everything was hard. I was deliriously happy.

Now I’m 49. Lately my body hints at its inevitable deterioration with more frequency. Subtle changes with a whiff of more to come: stubbed toes that fracture, a sprained rotator cuff that never fully healed, a tricky knee, and a neck, stiff from the effort of holding still when I want to RUN. So now I’m running. While I can. I won’t get stuck here, frozen like my neck on a cold, rainy night. I’m fleeing to California, again. Older, maybe wiser. Still pretty fucking fearless. This time I’m moving to where it’s hot and dry and my bones feel good. My brain feels better out there, not bombarded by stimuli. I am strong but not as strong as I was: I will drive to the grocery store. I will take it easy on my toes, shoulder, knee, neck—but you’d better believe I’ll be out there hiking and scrambling around, inhaling that wide open blue-sky silence. I will resist deterioration, to a point, while also celebrating what aging brings, including the confidence to stand up sometimes and declare: Next Chapter, To Be Continued.

 “Not EVERYTHING is a metaphor, Mom.”

This, from my laid back, pragmatic 18-year-old. He’s very wise, but on this he is wrong. EVERYTHING, for me, is metaphor.

Maybe I can blame my decades-old English degree, earned by dissecting books as if fetal pigs, prying loose each pickled piece to be parsed and analyzed, examined microscopically. Maybe it’s just who I’ve always been, a hopeful cynic, a nature-worshiping atheist in search of…what? Not answers. I don’t trust those, generally. Insight, maybe. Instinctively, reflexively, I seek to make some sense of my fellow humans or maybe even myself. I want to understand this human condition with which we’ve all been afflicted.

A few weeks ago the sky fell. Or rather, the ceiling did. Water worked its silent destruction. A ruined roof shingle developed a pin-sized hole, and quietly, invisibly, over who knows how short or long a time, the rain did its worst. There were no hints or portents. One day we had a thunderstorm, no different than any before, but this time the pressure proved too much. The ceiling gave way. What should be held outside was suddenly in. Sodden sheet rock and insulation hung from the gaping, dripping hole like spittle from a monster’s mouth. The ceiling had just been there, firm and clean. Now it was a mess.

My life, metaphorically. How could I see it any other way?

It had been a difficult few weeks, even before the sky fell. I’d struggled to solider on as always, like the Strong Woman™ I am. That label is a triumph and a burden. Lately the burden had grown heavy. I’d taken hits that slowed my momentum. Changes were constant and discouraging. I’d begun saying things like “I’m hanging on by my fingernails,” “white-knuckling it,” “circling the drain.” This is not helpful self-talk. But even Strong Women™ have a breaking point. When it is reached, if we dare tell, we may find ourselves disappointed by the response. Our loved ones are used to our self-reliance, our resilience. We look okay: the exterior appears as firm and clean as ever. There are no hints or portents of the mounting pressure. But one day: just one drop too many. Everything collapses. Everything is exposed.

Barn’s burnt down—
now
I can see the moon.
-Mizuta Masahide

It was a relief. I could no longer pretend to hold everything together. I had to confront the fact that this was never possible—too much is out of my control. In wreckage there is truth. It hangs like eviscerated innards for all to see, like dripping wet insulation. For a moment, I wasn’t strong. I fell all the way down. From the floor I stared up at everything I could not control and thought of metaphors. The collapse was mine, just in the nick of time.

This does not feel kind.

“Do better!”

I see this on social media a lot these days. It is impatient and arrogant and meant to cut. It’s meant to shame someone who should know better—meaning, they should see things the same way a self-appointed authority says is the correct way. The “better” way. I’ve seen this in discussions of highly sensitive, rapidly-evolving issues that most of society is still wrestling with: rape culture, gender identity, and, of course, how to respond to the disaster unfolding in our White House. I understand the heightened emotion. I feel it too. We want everyone to “get it,” right now. We want everyone to pay attention and DO SOMETHING, FIX THIS. But America is 320 million different people, and our perspectives are influenced by our individual backgrounds and experiences. It’s influenced by whatever we’re dealing with in our real lives, far more complicated than social media.

Rather than using tactics of persuasion, active listening and dialogue, I see too many people—too many writers, capable of the best, deepest communication—shutting down questions and differing perspectives with little more than a furious “Do better!” It is not helpful to shame, scold, or shun those still turning issues over in their minds. We do not get to set the deadline for another person’s evolution. Questions and even disagreement do not (necessarily) equal hate.

I want more compassion, more understanding that we’re on individual journeys. If the goal truly is progress, there is no triumph in ganging up to ridicule, unfriend, or block—screen-grabbing to publicly shame someone because they do not immediately accept “what is” without question. Do we really want progress? Or just praise and agreement?

“Fight.” “Take action.” “Resist.” The internet is a cacophony of panicky commands these days. Trump won and he’s doing everything he said he would and more. We could have resisted the Trump agenda by voting unanimously for Hillary Rodham Clinton but we did not. (Our first woman president. We were told over and over that it wasn’t important, because she was imperfect. But it did matter. Losing that opportunity hurt us terribly. I know we are hurting. I know it is pain behind much of this rage.) The worst happened, although we saw it coming for a year or more. Now even those progressives who lazily criticized Hillary because they assumed she had it in the bag have snapped to attention. Now no one is doing enough, if they’re doing less than us.

The squeaky wheels always get their grease. As always, I’m more interested in the ones waving, trying not to drown. The pressure to DO SOMETHING, FIX THIS has made some people shy about sharing their moments of happiness: love, kids, dogs, food, books. As if happiness equals privilege equals apathy equals you’re part of the problem.

No.

This isn’t how we change the world. It’s certainly not how we make it a happier, kinder place, as we all seem to agree it should be. This is how we alienate, stagnate, even push our allies further from where we wish they were. It is an aggressive, dictatorial approach, and I see it coming from feminists, progressives. People quick to identify themselves as “kind.” This does not feel kind.

Breathe, and remind me to breathe too. Listen. Engage, discuss. Let’s listen more than we speak. Assume the best of those who are trying. This is how we can do better.

Be Brave; Live Now: a New Year’s Wish

2016 can’t show itself out soon enough. Aside from all the lost icons and heroes, the contentious, too-long U.S. election ruined any sense of unity on the Left, killed the dream of a woman president, and ripped off a bandage to reveal our festering, misogynist, racist mess. And then there’s my personal life. I won’t get into that.

In 2017 my only child will leave for college. That’s a good thing, the best. He is whip-smart and thoroughly kind and will improve the world just by living in it. He’s a straight white male who gets it. Yes, I’m writing this through tears but I’m not sad, really.

In 2017 I will move to California’s Mojave desert, where I’ve dreamed of living since I first encountered it years ago. Immediately, it felt like home. The silence, so complete, is precious comfort. I am running toward it, laden with baggage. Okay, not running. But I am moving, inexorably.

I am moving toward the only things I know for sure: I must be somewhere I can write and edit and make art and be myself and think. I believe that California will be a safer place for women than any state that went for Trump, as did the state I’ve lived in for a decade: Georgia. Georgia, I will remember you like an ex-lover: with some fondness, but completely sure that we are done. Goodbye, good luck. Surprisingly, my county, north of Atlanta and traditionally conservative, went for Hillary. A small, bright spot of blue in a sea of angry red. I take comfort in that, and some pride. For years I stuck my neck out in hostile territory, despite knowing I was surrounded by concealed, loaded guns. I won’t miss that.

I am running away to California as I did once before, in 1990. So many adventures began for me in San Francisco. So many heartbreaks. I have no illusions that California is a perfect place, not at all, or immune to the destruction that will be wrought by Trump & Co. But California is a hopeful, forward-looking place. That’s where I want to be.

In 2017 I will finish (?) my current novel-in-progress, which I love and can’t wait to share but I’ll have to write it first, won’t I? Too much of it still lives in my imagination but you can’t see that. You can’t hear what I’m trying to say unless I say it. So in 2017, I will try.

I wish everyone moments of joy in the new year, and moments of blinding outrage, too, because without that how will we stay motivated to fight? Gather your strength; we will need it. Say what you mean. Go where you want.

Move inexorably toward whatever you know for sure, even if it is only one small thing. Be brave. Live now. I am writing this through tears but I’m not sad, or not only.